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The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre.

Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy fourth century BC to a mosaic of Sokrates in Mytilene fourth century AD , which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences. About the Author Nikos G.


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Old Password. New Password. Password Changed Successfully Your password has been changed. The Dialogue Revisited: 5. Reflections on our ancient journey. It positions itself firmly within the Platonic and Socratic traditions, and should therefore be approached in the same way as most other Platonic dialogues. It paints a vivid portrait of a Socrates in his late thirties tackling the unrealistic ambitions of the youthful Alcibiades, urging him to come to know himself and to care for himself.

Platonic Drama and its Ancient Reception | Cambridge Recommends | Drama, Literature, Reception

Francois Renaud and Harold Tarrant re-examine the drama and philosophy of Alcibiades I with an eye on those interpreters who cherished it most. Modern scholars regularly play down one or more of the religious, erotic, philosophic or dramatic aspects of the dialogue, so ancient Platonist interpreters are given special consideration. This rich study will interest a wide range of readers in ancient philosophy. Subject Plato.

-Why does Plato rejects tradition? #AOU AOU

Alcibiades I. Bibliographic information. Browse related items Start at call number: B A53 R46 Librarian view Catkey:


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